FOUR PERFORMANCES IN FOUR CITIES in SPRING 2008!!!
LOCKED TO PICTURE
Video art and live musical performance
Avian Music launches their first Northeast "mini tour", bringing our latest show to Delaware, Ohio, Boston, and New York. We will present a feast for your eyes as well as your ears with an evening of new music and video art that touches on themes both local and global. Abstract and organic visual images illuminate music that ranges from classical to jazz to electronica, played on both traditional instruments and contraptions like the bicycle-based Cyclophone. Featuring works by composers Michael Gandolfi, Tom Lopez, Neil Rolnick, Peter Flint, Bret Battey, John Mallia, Andreia Pinto Correia, and Ben Dorfan.
Flint will unveil his new bicycle-based percussion instrument, the Cyclophone! Pinto Correia brings a look at The Square in Marrakesh. Rolnick counts Digits in his piece for solo piano. Ben Dorfan gives us a look at Chance Creek in Ohio, and more. The Avian musicians will perform this thrilling evening of new music accompanied by a wall of video art created by the artists and the composers.
Friday, September
8, 2006, 8pm
Spontaneous Combustion
with Blair McMillen
Tenri Cultural
Institute
43A W. 13th Street, NYC
A program of music inspired by the art of improvisation, with acclaimed pianist, BLAIR
MCMILLEN.
The program included two commissioned world premieres written specifically
for this evening: a high-octane solo piece by NYC-downtown composer ANNIE GOSFIELD; and Avian
Music founder PETER
FLINT’s perpetual-motion
semi-improvised Microconcerto for string quartet and
piano. Also on the program will be CHARLES IVES’ “3
Improvisations”, C.P.E. BACH’s “Eb Major Fantasia” (Wq 58/6), GIACINTO
SCELSI’s hushed, tranquil "Un Adieu”, MORTON
FELDMAN’s
graphically-notated, aleatoric “Intersection 3”, two
movements from KYLE GANN’s jazzy, melancholic “Private
Dances”, a New York premiere, and McMillen’s trio arrangement
(piano, elec. guitar, double bass) of rock band KING CRIMSON’s
1969 tune “21st-Century Schizoid Man”.
The performance of classical music at the beginning of the twenty-first
century leaves almost nothing to chance. Improvisation was once expected
of all reasonably talented musicians: for over a century now it has
become a dying art form. Defying boundaries and straddling musical
genres, the music in Spontaneous Combustion is all directly or indirectly
inspired by the art of musical extemporization. Blair McMillen’s
multifarious musical background and his long-standing love of improvisation
in its many forms provided the impetus for this concert. In addition
to performing the music on tonight’s concert, McMillen improvised between certain pieces; a practice once commonplace but
now quite unusual in classical performance.
Joining Mr. McMillen were violinists SARAH
SCHWARTZ and CYRUS
BEROUKHIM, violist DOV SCHEINDLIN, cellist ARASH
AMINI, electric
guitarist OREN FADER, and bassist MARC SCHMIED.
This performance
was a part
of Avian Music’s ongoing series, A Bird’s
Eye View On...,
designed to spotlight exceptional musicians playing contemporary
music.
April 23, 2006,
8pm
FOR THOSE ABOUT
TO ROCK!
Tenri Cultural
Institute
43A W. 13th St, Greenwich Village, NYC
Avian Music
rips into an evening of chamber music inspired by American rock
and roll! The program will include Michael
Gandolfi's Cable Ready, Michael
Daugherty's Sinatra Shag, Conrad
Cummings' California surf inspired I Wish They All Could
Be, Jacob Ter Veldhuis'
searing Grab It! for electric guitar and boom box, along
with four world premiers from Jonathan
Newman, Richard Belcastro, David
Laganella, and Peter Flint.
The music will
be performed by the crack team of Avian players including Blair
McMillen, piano; Sarah
Schwartz, violin; Arash
Amini, cello; Chris Nappi,
percussion; Ann Cecil Sterman,
flute, and Andrew Sterman,
woodwinds; with special guest performer, Kevin
Gallagher, guitar
May 13, 2005
A Bird's Eye
View On...Andrew Sterman
St. Peter's Church,
Chelsea, NYC
In Avian Music's
first concert in a new series featuring our talented musicians,
multi-instrumentalist, composer, and regular Avian Music performer
ANDREW STERMAN celebrated his birthday with a solo offering
of both music written for him by friends as well as his own compositions
which blend his jazz and classical roots. The first half of the program
featured World Premieres by his long time collaborators PHILIP
GLASS, STEWART WALLACE, and PETER FLINT, along with a piece written
for Andrew by DAVID LANG. In the second half, Andrew presented
his own ‘comprovisations’ for two marimbas, violin, bass,
and saxophone, all assisted by special guests of Avian Music.
Philip
Glass contributed his composition Love Divided for flute
and piano; Stewart Wallace presented the brand new Urban Organics for
sax, violin, and two marimbas; Peter Flint premiered his concert
opener, Ten
Thirteenths for sax and piano; and from David Lang there was
his classic Vent for flute and marimba. In addition
to Andrew performing on flute and saxophones, the concert featured
Mark Feldman (violin),
Frank
Cassara (marimba), Mick Rossi (marimba, piano), and Jeff Carney (bass).
Oct 28-29,
2004
The Sweet Sounds Of Politics
Loft
343, 343 Canal Street, NYC
As
a prelude to the Presidential elections, Avian Music performed an
evening of contemporary music inspired by the political process. Works
by Avian Music director Peter Flint, Scott
Wheeler, Fredric Rzewski, and Conrad
Cummings were interspersed with campaign songs from the last
hundred years of presidential elections sung by singer/songwriter
Brian Dewan.
The
program included Conrad Cummings’ political campaign opera,
Photo-Op, in which two political candidates unknowingly reveal
their true thoughts; the world premiere of Campaign Dances
by Scott Wheeler, drawn from his new opera Democracy:an American
Comedy; a world premiere opera scene, John Brown, by
Peter Flint based on the last days of the infamous 19th century slavery
abolitionist; and Frederic Rzewski’s musical setting of the
Declaration of Independence, Jefferson.
The
performers included special guests Gregory Fulkerson-violin, Laura
Heimes-soprano, Curtis Streetman-bass, Enrique Torál-tenor,
and singer/performer Brian Dewan, along with the regular Avian Music
sextet.
On
Friday, Oct 29 immediately after the performance, there was a “Composers’
Debate”, moderated by Frank Oteri of NewMusicBox.org in which
the composers went head-to-head with each other and the audience on
the issues of politics and music.
Jan.
15-16, 2004
Play Ball
Where
music slides into the home plate of sports...
Arts at University
Settlement, 6th Floor Gymnasium
184 Eldridge Street, NYC
The Avian
Orchestra explored the interesection of professional sports and the
world of art music.
The program included
world premieres by Conrad Cummings, Peter
Flint, Ray Lustig, Sophocles Papavasilopoulos,
and Arlene Sierra, as well as other works
by Philip Bimstein, David Rubinstein,
Annie Gosfield, and Erik Satie,
all inspired by the worlds of baseball, basketball, soccer, duelling,
ping pong, fishing, tennis, horse racing, yachting, and roller derby!
And to top it all off, the performances took place in a stunning 19th
century gymnasium with panoramic views of the city!
CONCERT PROGRAM
Arlene
Sierra: Truel
Erik Satie: "Le Yachting" from Sports et Divertissements
Raymond Lustig: "You Catching?"
Erik Satie: "Le Tennis" from Sports et Divertissements
Conrad Cummings: In Memorium, Marge Lazlo
Erik Satie: "Les Courses" from Sports et Divertissements
Peter Flint: Gooooooooooooal!!
David Rubinstein: The Ping Pong Prelude
Phillip K. Bimstein: The Bushy Wushy Rag
Annie Gosfield: Brooklyn, October 5, 1941
Sophocles Papavasilopoulos: Blue Airball Rising
Feb.
13-14, 2003
Love Machines & Shameless Hussies
Songs
of Love, Lust, Sex, and Jealousy
Bill
Young Studio - 100 Grand Street, NYC
The
Avian Orchestra, with featured artists soprano Laura Heimes and baritone
Chris Pedro Trakas, performed songs of love, lust, sex, and jealousy.
The program included Conrad Cummings’ Positions
1956, a song cycle with lyrics by Michael Korie
drawn from 1950’s sex manuals; Fragments from “The
Golden Gate”, also by Conrad Cummings, with lyrics from
Vikram Seth’s novel in verse, “The Golden
Gate”; The Feast of Love by Virgil Thomson,
a rarely performed setting of an anonymous second century erotic Latin
poem in praise of Venus; the world premiere of The International
Lover by Peter Flint, a song cycle of love and
loss with texts from around the world; and Lust in Action,
also by Peter Flint with lyrics from Shakespeare’s sonnets.
In addition to the musical performances, contemporary burlesque dancer
Dirty Martini performed interlude dances between the musical works,
including a reconstruction of Sally Rand’s legendary fan dance
set to Debussy’s Clair de Lune, originally performed
by Rand at Chicago’s Century of Progress Exhibition in 1933.
Performers for this concert will be Laura Heimes, soprano; Chris Pedro
Trakas, baritone, Andrew Sterman, woodwinds; Sarah Schwartz, violin;
Clarice Jensen, cello; Blair McMillen, keyboards; Conrad Cummings,
keyboards, musical direction.
May
31 - June 1, 2002
Birds of a Feather
A multistylistic exploration
of birds in modern music.
HERE
Arts Center - 145 6th Avenue, NYC
The
Avian Orchestra and the Flux Quartet performed bird-inspired
music by six American composers, including the world premieres of
Migratory Routes by Peter Flint and Ornatornithic
by Matthew Welch, as well as the New York premiere
of Sleeping on a Wire by Scott Wheeler.
Other pieces included Mythic Birds of Saugerties by Lee
Hyla, Praise for the Beauty of Hummingsbirds by
Lou Harrison and Awakening at the Inn of Birds
by Michael Byron.
The musical performances were accompanied by projected videos of various
birds including rare historic footage of the now extinct Ivory Billed
Woodpecker.
Performers were Darrett Adkins, cello; Tom Chiu, violin; Lisa Hansen,
flute; Sashka Korzenzska, violin; Max Mandel, viola; Blair McMillen,
piano; Jesse Mills, violin; Chris Nappi, percussion; Sarah Schwartz,
violin; Andrew Sterman, clarinet and bass clarinet; Matthew Welch,
conductor; Conrad Cummings, conductor.